It is with deep regret that I and my colleagues, Denise M. Haigh and Gill Lambert, have to inform you that, due to ongoing economic difficulties and a poor Christmas trading period, we have been left with no other option than to close the business.
We anticipate this happening mid-end April 2016, once we have disposed of as much stock as possible.
As one of our valued customer we want to thank you most sincerely for your continuous and valuable support over the past years, it has been very much appreciated.
Join us for a festive glass of fizz and a mince pie as we join our High Street traders in an evening of festive fun and frolics!
We will be open later on Thursday 17th December for you to enjoy a perusal of the lovely stock we have bought in just for you this Christmas.
We are also organising the High Street’s charity raffle which this year in aid of the Folly Wildlife Rescue Centre – they do such an amazing job and we have supported them all year.
There are some amazing prizes on offer which all been donated by the very generous shops and businesses here in the High Street, Chapel Place and Grove Hill Road. Raffle tickets are just £1 each and can be purchased with us in store and from Perk & Pearl, Ilse Jacobsen and Cassidy’s Sports Bar.
If we might take this time to wish all our customers and colleagues a very happy Christmas and New Year, and hope that the New Year brings must health and happiness to you all.
We will be closed from Friday 25th December until Friday 1st January and will reopen for business as usual from Saturday 2nd January 2016.
Karina Gill is a contemporary silversmith who has been making unique sculptural bowls for over fifteen years.
Karina studied at the Surrey Institute of Art and Design where she gained her BA (Hons) in Three Dimensional Design in metal work. Since completing her degree in 1996 she has built up her business from her workshop in Dorset, where she designs and makes her etched silver bowls.
Her distinctive, collectible bowls will create an intriguing talking point wherever they are placed, with each piece being crafted from a single piece of metal.
Influenced by organic repetition in nature, print-making and textiles, Karina’s creations are objects to be loved for generations. Free-hand acid etching creates a unique, heavily textured yet delicate surface, giving each piece a tactile quality.
Find out more about Karina’s range and all her upcoming exhibitions on her website, karinagill.co.uk
I am Mary Rimmer and I make all the Silver Moonbow jewellery. I live in Tunbridge Wells, Kent, with my husband and young daughter. I am a qualified Art Clay Instructor.
I have loved making jewellery since I was a young child when I used to spend hours making bead necklaces, usually to ‘sell’ to my mother. I enjoyed creating pieces using beads and polymer clay. In 2010 I came across art clay silver and knew I just had to find out more about this amazing medium. I booked myself on a beginner course and have never looked back.
I hope you enjoy browsing through the range of jewellery featured. Every piece I sell is handmade, so no two pieces will ever be the same. What will be a constant is that each piece has been crafted with passion and love.
Making a piece of silver jewellery has many stages: the silver clay is formed or moulded and once dry it is sanded, then kiln fired and polished. It is a time consuming and labour intensive process. For the fused glass, I hand pick and then cut each piece of glass, then fuse in my kiln – it can take 8 hours from start to finish in the kiln, so it’s hard for me to temper my impatience at times. My resin jewellery range also tests my patience as it takes 24 – 72 hours to ‘cure’ and harden, so once again it’s a long and painstaking process.
Much of my work reflects my love of the sea and the natural world. I am looking to develop new ranges all the time, so do look for updates that will appear here from time to time. I have over the last 6 months started making fused glass and resin pieces, and am currently starting to work with copper, so that will be added soon.
I am a Level One Art Clay Instructor, so I can teach silver clay, and will be running some classes in the near future.
Rebecca-Anne Boldra is inspired by the world around her, particularly architectural forms. Her designs explore the contrast between straight lines and flowing curves to aid her exploration of functionality and its effect on the concept of beauty.
Rebecca-Anne studied for her degree at the School of Jewellery part of Birmingham City University. Subsequently,in the Summer of 2011, Rebecca-Anne started a residency at the renown Bishopsland Educational Trust which is based outside Reading. Here she completed their Post-graduate development course in Jewellery and Silversmithing and became a Fellow. After Bishopland Rebecca-Anne has been an Artist in Residence at Glasgow School of Art during the past academic year.
I studied a HND in ‘Jewellery and Applied Arts’ in Manchester and then went on to complete a degree in ‘Metalwork and Jewellery’ at Sheffield Hallam University. I graduated in 2009 and set up my workshop in North Somerset shortly after.
My work is a range of sculptural and bold silverware and jewellery. Most pieces are hammered from flat silver sheet using the techniques of hollowing, hand raising and planishing to create a three dimensional form. Chasing punches or textured hammers are used to apply different surface finishes to the object. I use many of the same tools and textured hammers to create both the large silverware pieces and the jewellery.
I use a sketchbook to initially plan my pieces but truly they come to life through the making process, I am very hand’s on experimental with my material. Rather than trying to control the outcome I allow my material and tools to guide me through the making, my subconscious takes over the design.
I am very visual my work is about form and texture as well as function. It is important to me to get out and see new places to refresh my head. Much of my visual diary has come from the highlands of Scotland where I visit regularly. With the Bulbous and Boulders collection, I had looked a lot at the idea of a foreign object attaching itself to another or taking over it completely, in this case barnacles on rocks, sometimes there are just a few and other times they smother the rock face. My first Bulbous pieces had areas of smooth planished silver contrasted with the bobbly forms. Later I started making pieces where the bobbly forms consumed the whole surface of the object. The Boulders pieces really followed on from this but for me they show more of the strength of character of the highlands.
There is still much to come from the influence of the highlands in my work but it is certainly not the only place I look to for inspiration. I also love old buildings and ruins, crumbling walls and castles. My interests lie with the ancient and old, things with a visual history. I like the idea of the rugged and earthy, something simply dug up from the ground.
My “smithing” days began in a shed in East London. From there I stepped up to the rather more refined environment of Crown Jewellers Aspreys (later to become Asprey-Garrards) in London’s Bond Street, where over 25 years I mastered all the skills of the “across the board” gold/silversmith/jeweller, such as chasing, box making, forging, hammering, and raising.
SEW Ltd Gold/Silversmiths was launched in 2003. I am a Freeman of the City of London and the Worshipful Company of Goldsmiths; A fellow of the Institute of Professional Goldsmiths; A fellow of the Society of Designer Craftsmen.
I love my work, whether I am crafting individually designed wedding rings, or mustering every bit of my expertise to transform the more elaborate gold/silverware imaginings of my customers into reality.
My ethos is simple: the highest level of technical expertise melded with flexibility and creativity. My creations are always unique, and always a matter of personal pride.
Over the years I have been the craftsman behind such prestigious projects as the Cricket World Cup, the Ryder Cup, trophies for the Royal Ascot races and repairs to the F A Cup! I have also created commissions for HRH the Prince of Wales and other members of the Royal Family; the Sultans of Brunei and Oman amongst other prominent clients.
Spoon and fork rings are known to have originated in England during the 17th century and were used as alternative wedding bands. Servants who could not afford precious metals resorted to stealing silverware from their employers and crafted them into wedding rings. Those caught were prosecuted for theft, and transported to become early settlers in Australia.
My studio is my sanctuary. It is my escape from the real world, often for only a short periods of time. It is the envy of many of my friends and customers. It is a mess to others but creative space to me.
I started making cutlery jewellery about 15 years ago. My first ring was made for my husband, then a few more friends wanted one, then a few more. When I first officially started the TWISTED SILVER STUDIO, I had more orders than cutlery.
One of the joys of doing this type of silversmithing is making jewellery from a customers own supply. People bring me their silver cutlery, just odd pieces handed down to them from generations past. They sit forgotten in boxes and drawers.
get sold for scrap and never used because you have to polish them.
Every week I make jewellery that can be worn now and passed to future generations to wear and enjoy. Each piece is unique to the wearer and often a constant reminder of someone special. I can date each piece.
Contact me by phone and come and visit the studio to discuss what I can make for you 07973 549919 or e.mail email@example.com
As a silversmith I have spent time learning the traditional skills involved in working with silver and other materials to create work that explores and celebrates the ideas of traditional craft. While studying at the Royal College of Art I was able to develop my design ideas and learn about new technologies which I combine to design and make silverware.
My work focuses on merging traditional silversmithing techniques with digital technology. While studying at the Royal College of Art I developed a user interface in the form of a hammer that works alongside computer aided design (CAD) software to mimic the physical actions of silversmithing, in particular the hammering process used in forming sheet metal. The faceted silverware and jewellery is designed using CAD and realised using processes such as Computer Numerical Control (CNC) milling and press forming and rapid prototyping and casting.
The exhausted silverware collection is made using traditional hand techniques such as raising and forging. The pieces are designed based on the idea of function with a playful element as they take the form of the tableware they exhausted onto.
Our third year of the Summer Of Silver Exhibition!!
This year we have some amazing exhibitors, some you may already have seen in our windows, some are new and innovative designs, and a couple this year are very local indeed!
On the line up this year:
Hannah Felicity Dunne
Padgham & Putland
Twisted Silver Studio
Phew…………………..Now, they’re exhibiting at different times throughout the summer so if you’d like to see a particular designer please just call us for the schedule.
All exhibition pieces are for sale and prices start from around £50.00 for silver jewellery up to a few thousand for some major signature pieces. Please feel free to come in and browse, we will be very pleased to see you and show you some brilliant designers.